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  • Dustin Hoffman and Leo Woodall Headline the Year's Most Unique Thriller | Review Victoria Luxford
    Sound has always been the understated genius of cinema. The audience may not always notice it, but sound is crucial in shaping the way we feel about a movie. The crackle of a gunshot in a classic war movie, the sharp intake of breath in a horror, or an ominous knock on the door in a thriller, can all be as effective as any line of dialogue or special effect. Some movies weaponize sound, such as A Quiet Place or Don't Breathe, but in the new crime thriller Tuner, it almost resembles a superpower.
     

Dustin Hoffman and Leo Woodall Headline the Year's Most Unique Thriller | Review

22 May 2026 at 19:17

Sound has always been the understated genius of cinema. The audience may not always notice it, but sound is crucial in shaping the way we feel about a movie. The crackle of a gunshot in a classic war movie, the sharp intake of breath in a horror, or an ominous knock on the door in a thriller, can all be as effective as any line of dialogue or special effect. Some movies weaponize sound, such as A Quiet Place or Don't Breathe, but in the new crime thriller Tuner, it almost resembles a superpower.

Boots Riley’s ‘I Love Boosters’, ‘Tuner’, ‘Ask E. Jean’ & Body Horror ‘Saccharine’ Set Indie Holiday Weekend – Specialty Preview

22 May 2026 at 17:24
Neon’s surreal crime comedy I Love Boosters opens wide for the Memorial Day holiday frame a bit crowded with The Mandalorian And Grogu, Focus Features’ breakout Obsession and studio holdovers. Boosters reviews are great, and director Boots Riley urged fans to turn out. “We didn’t get the screen count we wanted for I Love Boosters […]

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