KRK Ryden's latest solo show "Wet Bread" is now on view at Brassworks Gallery in Portland. Read an interview on the pop surrealist from our archives by clicking above!

The post In Blob We Trust: The Art of KRK Ryden first appeared on Hi-Fructose Magazine.

With works that simultaneously convey the awe of nature and the whimsy of fairy tales, Clémentine Bal sculpts a world full of wonder and imagination. Read Liz Ohanesian's full article on the Hf 63 cover artist by clicking above.

The post Accepting Their Strangeness: the Sculptures of Clementine Bal first appeared on Hi-Fructose Magazine.

The 77th issue of Hi-Fructose is coming soon. Click above to see previews!

The post Hi-Fructose Issue 77 Preview first appeared on Hi-Fructose Magazine.

"I have a hunch that any successful painting creates work for the viewer,” says the painter Ben Spiers. “I think that's part of the reason why it can be hard to begin the process of looking at paintings seriously..." read the full article on Benjamin Spiers by clicking above!

The post Benjamin Spiers Paints Disconcerting Surrealism For the Modern Age first appeared on Hi-Fructose Magazine.

In Edward Telleri's paintings, eyes become living forms.. Read more by clicking above!

The post Miradas: Edward Telleri’s Gaze-fueled Artwork first appeared on Hi-Fructose Magazine.

Hi-Fructose 76 is Coming. Click Above to see sneak peeks from the next print issue.

The post Hi-Fructose Issue 76 is Coming! first appeared on Hi-Fructose Magazine.

Madsen’s narrative, semi-autobiographic paintings frequently position young adults inside spaces made for children. Their bodies might be awkwardly crammed inside toy cars or between narrow school bus seats. Other times, Madsen places the characters in the midst of situations associated with childhood and adolescence, tapping into the complicated mix of emotions that come with memory. Read Liz Ohanesian's full article by clicking above.

The post Maud Madsen Explores the Gaps Between Memories first appeared on Hi-Fructose Magazine.

Human relationships with nature inform Martin Wittfooth's work. His oil paintings feature animals in the starring roles. Humans are absent from the scenes he depicts, but the remnants of their world frequently are not. In “The Aviary,” a cheetah is perched on a cherry tree and joined by a few, scattered birds. They overlook a crumbling, brick wall, catching a glimpse of the city that rises from below. Read the full article from our archives by Liz Ohanesian by clicking above.

The post Incantation: The Art of Martin Wittfooth first appeared on Hi-Fructose Magazine.