Madsen’s narrative, semi-autobiographic paintings frequently position young adults inside spaces made for children. Their bodies might be awkwardly crammed inside toy cars or between narrow school bus seats. Other times, Madsen places the characters in the midst of situations associated with childhood and adolescence, tapping into the complicated mix of emotions that come with memory. Read Liz Ohanesian's full article by clicking above.

The post Maud Madsen Explores the Gaps Between Memories first appeared on Hi-Fructose Magazine.