GRIMM is pleased to present Vignettes & Mutations, a solo exhibition of new paintings by Los Angeles–based artist Eric White on view through May 2, 2026. This is the artist’s fifth solo exhibition with GRIMM and his third solo exhibition at the New York gallery.

Harper’s is pleased to announce Prussian Blue, New York–based artist Sophia Huitema’s first solo exhibition with the gallery. The presentation features new works by Huitema and will be on view through April 25, 2026. 

Gagosian is pleased to announce an exhibition of new tennis court paintings by Jonas Wood. The gallery’s tenth exhibition of Wood’s work, and its first based in Los Angeles, will be on view through April 25, 2026. 

South African artist Cinga Samson’s exhibition of new paintings is titled ‘Ukuphuthelwa’, an isiXhosa word in the artist’s native language that translates as ‘unable to sleep’. Unlike the English word ‘insomnia’, the isiXhosa term carries no negative connotation and accordingly, for Samson, sleeplessness is not a condition to be cured but a state of spiritual alertness, a sensitivity that deepens in the dark. Rendered in the artist’s signature occluded palette of near-blacks, carbon and deep Prussian blues, Samson’s scenes depict men-like figures, dogs in overgrown fields and portraits of plant life native to South Africa. Encouraging slow, contemplative looking, a sense of existential gravity pervades Samson’s new series of oil paintings, attempting to depict a vast reality that is continuously…

Hashimoto Contemporary is pleased to present No Coward Soul, a solo exhibition by Kansas City-based artist Rachel Gregor. Inspired by Emily Brontë’s 1846 poem No Coward Soul Is Mine, Rachel Gregor’s latest body of work explores faith without religion, resilience without certainty, and the fragile boundary between dread and hope.

Welcome to the latest edition of Nuart Aberdeen. As far as we can ascertain, this will be the first street art festival in the world with a focus primarily on poetry and text-based works. Over the years, for better or worse, the large scale colourful figurative mural has come to dominate the culture we work with, and although it’s an aspect of the culture we support, due to the resources required to produce murals, they’re perhaps also the least democratic form of art on the streets. As curators, researchers and producers working in “festival” culture, we have a responsibility to not only showcase and celebrate the most interesting and technically competent works of our time, but to also ensure the…

NANZUKA is pleased to present “Good Looking,” a solo exhibition of new works by Raymond Lemstra at NANZUKA UNDERGROUND. This exhibition marks the artist’s second solo show at NANZUKA following his first exhibition in Japan held at 3110NZ by LDH Kitchen (now Sushi Saito Hanare NANZUKA) in 2024. The show will be on through April 4, 2026. 

PPOW are pleased to present Orchid Rain on the Underground, Chris “Daze” Ellis’s third solo exhibition with the gallery. The show is on view through April 25, 2026. Featuring a new series of paintings, multimedia installation, and a site-specific mural, the exhibition harnesses the passion and spontaneity of the graffiti movement of the 1970s and 80s while demonstrating a thoughtful and meticulous practice honed over the past five decades. While the version of New York City that fostered Daze’s beginnings as a fine artist may feel like a bygone era, the works in this exhibition are evidence of its enduring legacy. By revitalizing that foundational energy for the present moment, Daze affirms the continued relevance of those figures and places, and their profound…

HESSE FLATOW is pleased to announce the opening of Franklin, an exhibition of paintings and works on paper by Nat Meade, marking his third solo presentation with the gallery. The show is on view through April 18, 2026. 

Casey Bolding’s paintings make memory material. Using plaster and industrial paint in concert with oil, acrylic, and Flashe, the artist builds up densely layered surfaces which he then scrapes and reworks, excavating embedded imagery drawn from mementos, photographs, and art history. As personal as they are process-based, Bolding’s paintings of landscapes and interiors are particularly informed by his childhood in the plains of Colorado, his longtime practice of graffiti writing in abandoned buildings and trains, and commercial faux-finishing techniques learned from his uncle. For Bloodstream, Bolding has created a suite of works that he describes as “mirages or scenes captured from the perspective of someone floating down the Colorado River,” from the Rocky Mountains to the Mexico-California border. This traveler…

We are so excited to share our interview with Surreal Salon 18 winner, River Reishi, selected by guest juror, Swoon. On the occasion of the win, we spoke with Reishi about the work in the show, the history of Surreal Salon, and her upcoming travels. 

Lyles & King presents new paintings by Kate Meissner in our project space, on view through April 4. Kate Meissner writes: "These works are an exploration of the human body's elasticity and capacity to metamorphose. Informed by my own experience of pregnancy and the birth of my first child last year, these paintings are a meditation on physiological transformation and the body's underlying animalistic and mammalian nature."