Much has been written about this year’s Cannes Film Festival being ignored by studios and crowd-pleasing blockbuster type movies, in favor of the more familiar auteur driven quieter films. Well, fasten your seat belts. Cannes just unveiled Hope, a sci fi Alien monster mash from South Korean director Na Hong-Jin that never lets up for […]
Much has been written about this year’s Cannes Film Festival being ignored by studios and crowd-pleasing blockbuster type movies, in favor of the more familiar auteur driven quieter films. Well, fasten your seat belts. Cannes just unveiled Hope, a sci fi Alien monster mash from South Korean director Na Hong-Jin that never lets up for […]
For a decade, since 2016’s extraordinarily uncanny horror-hybrid “The Wailing,” fans of Korean director Na Hong-jin have been peering anxiously at the horizon awaiting his next uncategorizable genre mash-up. More recently, like a bumbling local police chief removing his mirrored aviators to squint at an unidentifiable what-the-hell-is-that wreaking havoc in the distance, we’ve tracked reports […]
For a decade, since 2016’s extraordinarily uncanny horror-hybrid “The Wailing,” fans of Korean director Na Hong-jin have been peering anxiously at the horizon awaiting his next uncategorizable genre mash-up. More recently, like a bumbling local police chief removing his mirrored aviators to squint at an unidentifiable what-the-hell-is-that wreaking havoc in the distance, we’ve tracked reports […]