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  • Amoako Boafo Weaves His Portraiture into an Architectural Replica of His Accra Studio Grace Ebert
    The expression β€œwherever you go, there you are” is often wielded to describe futile attempts to escape hangups, anxieties, and a variety of unwanted emotions. Although this truism is typically offered as a negative, it can also be read as a positive that provides comfort and stability amid new environments. In I Bring Home with Me, Ghanaian artist Amoako Boafo recreates his Accra studio in an architectural reproduction within Roberts Projects’ Los Angeles gallery. Boafo is known for his st
     

Amoako Boafo Weaves His Portraiture into an Architectural Replica of His Accra Studio

10 February 2026 at 19:51
Amoako Boafo Weaves His Portraiture into an Architectural Replica of His Accra Studio

The expression β€œwherever you go, there you are” is often wielded to describe futile attempts to escape hangups, anxieties, and a variety of unwanted emotions. Although this truism is typically offered as a negative, it can also be read as a positive that provides comfort and stability amid new environments.

In I Bring Home with Me, Ghanaian artist Amoako Boafo recreates his Accra studio in an architectural reproduction within Roberts Projects’ Los Angeles gallery. Boafo is known for his stylized portraiture of Black people, whose skin the artist renders in swirling gestures made with his fingers. This exhibition presents a collection of paintings embedded within the life-sized replica, created in collaboration with architect and designer Glenn DeRoche.

a portrait by Amoako Boafo of a Black woman with a floral shirt
β€œFloral Shirt” (2025), oil on canvas, 39.125 x 39.125 x 1 inches

According to a statement from the gallery, Boafo wanted to reflect both the β€œimages, sounds, people, stories, and events that shape his sense of place” and how community gatherings in his studio are essential to his process. While some portraits depict imagined subjects, many portray friends, family, and public figures.

Monstera wallpaper, porous wall dividers, and floral seat covers add color and texture to the largely black, wooden structure and echo Boafo’s use of paper transfers, embroidered details, and thick impasto. Paired with his portraiture, these architectural details guide viewers through the space and capture how presence and memories shape our inner and outer environments.

I Bring Home with Me is on view through March 21. Find more on the artist’s Instagram.

a detail image of a floral garment in a portrait by Amoako Boafo
a portrait by Amoako Boafo of a Black woman in wedding dress
β€œBouquet of White Roses” (2025), oil on canvas, 81 x 66 inches
an installation view of a dining table and chairs with a portrait by Amoako Boafo
Installation view of β€˜I Bring Home with Me’
a portrait by Amoako Boafo of a Black man reclining on a chair
β€œSelf Portrait – Ivy Leaf Sofa” (2025), oil and paper transfer on canvas, 65 x 59 inches
a portrait by Amoako Boafo of a Black man on a bike
β€œBlack Cycle”
a portrait by Amoako Boafo of a Black woman with a white top
β€œPink Dial” (2025), oil on canvas, 35.5 x 39.125 x 1 inches
a detail image of a portrait by Amoako Boafo of a Black man on a bike
Detail of β€œBlack Cycle”
an installation view with portraits by Amoako Boafo
Installation view of β€˜I Bring Home with Me’

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Amoako Boafo Weaves His Portraiture into an Architectural Replica of His Accra Studio appeared first on Colossal.

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