Casey Bolding’s paintings make memory material. Using plaster and industrial paint in concert with oil, acrylic, and Flashe, the artist builds up densely layered surfaces which he then scrapes and reworks, excavating embedded imagery drawn from mementos, photographs, and art history. As personal as they are process-based, Bolding’s paintings of landscapes and interiors are particularly informed by his childhood in the plains of Colorado, his longtime practice of graffiti writing in abandoned buildings and trains, and commercial faux-finishing techniques learned from his uncle. For Bloodstream, Bolding has created a suite of works that he describes as “mirages or scenes captured from the perspective of someone floating down the Colorado River,” from the Rocky Mountains to the Mexico-California border. This traveler…

Let Us Gather in a Flourishing Way explores contemporary Latinx artists’ innovations and interventions within established traditions of painting, inviting discussion on a variety of themes and revealing the diversity and expansiveness present within the field. The fifty-eight artists in the exhibition—and those in the Latinx field more broadly—encourage us to interrogate the continued relevance of boundaries, from political borders to disciplinary confines. This exhibition therefore celebrates artists whose expressions are first and foremost personal and subjective, but whose heterogeneous and culturally specific interventions enrich one another and the history of American and contemporary art, two fields from which such artists have been historically excluded. Inspired by former U.S. Poet Laureate Juan Felipe Herrera’s poem “[Let Us Gather in a Flourishing Way],” the…

We are so excited to share our interview with Surreal Salon 18 winner, River Reishi, selected by guest juror, Swoon. On the occasion of the win, we spoke with Reishi about the work in the show, the history of Surreal Salon, and her upcoming travels. 

Richard Heller Gallery is pleased to present, Reading the Rooms, a solo exhibition of new paintings by Gretchen Scherer. This will be Gretchen's second solo exhibition with the gallery.

Mrs. is pleased to present The Light That Loses, The Night That Wins, Molly Bounds’ New York debut solo exhibition, on view at the gallery’s 6040 56th Drive location. This exhibition marks the Los Angeles-based artist’s second presentation with the gallery following The Armory Show in September 2025. The show will be on view through May 2, 2026.

GR gallery is pleased to present My Screen Tests, the first New York City solo exhibition by Kohei Yamada. The exhibition examines the enduring value of the authentic relationship between artist and artwork, engaging in themes of irony, introspection, and visual metaphor, which draw inspiration from contemporary practice and Yamada’s nuanced admiration for American Pop art. 

NANZUKA is pleased to present “Good Looking,” a solo exhibition of new works by Raymond Lemstra at NANZUKA UNDERGROUND. This exhibition marks the artist’s second solo show at NANZUKA following his first exhibition in Japan held at 3110NZ by LDH Kitchen (now Sushi Saito Hanare NANZUKA) in 2024. The show will be on through April 4, 2026. 

“What I paint is something that no longer exists,” Francisco Rodríguez says. “Like how the stars we’re looking at are already dead—their light reaches us after they’ve turned to dust.” He describes his practice simply: “I’m painting dust—memories of places that no longer exist.”

Harper’s is pleased to announce Prussian Blue, New York–based artist Sophia Huitema’s first solo exhibition with the gallery. The presentation features new works by Huitema and will be on view through April 25, 2026. 

South African artist Cinga Samson’s exhibition of new paintings is titled ‘Ukuphuthelwa’, an isiXhosa word in the artist’s native language that translates as ‘unable to sleep’. Unlike the English word ‘insomnia’, the isiXhosa term carries no negative connotation and accordingly, for Samson, sleeplessness is not a condition to be cured but a state of spiritual alertness, a sensitivity that deepens in the dark. Rendered in the artist’s signature occluded palette of near-blacks, carbon and deep Prussian blues, Samson’s scenes depict men-like figures, dogs in overgrown fields and portraits of plant life native to South Africa. Encouraging slow, contemplative looking, a sense of existential gravity pervades Samson’s new series of oil paintings, attempting to depict a vast reality that is continuously…

Galerie Max Hetzler, Berlin, is pleased to announce X-Rated (1972–1974), a solo exhibition of paintings and works on paper by William N. Copley. This is the fourth presentation of the artist’s work at the gallery, and the show will be on view through April 22, 2026. 

Gagosian is pleased to announce an exhibition of new tennis court paintings by Jonas Wood. The gallery’s tenth exhibition of Wood’s work, and its first based in Los Angeles, will be on view through April 25, 2026.