The US president’s reversal on calling for a safety review of new AI models is a green light for tech’s unchecked powerOnly hours before Donald Trump was set to sign a long-awaited executive order on Thursday that would have called for a government safety review of new artificial intelligence models before their release, the president abruptly backed out. Despite growing public backlash to the technology and experts warning new models will pose critical security risks, Trump vowed the US governm
The US president’s reversal on calling for a safety review of new AI models is a green light for tech’s unchecked power
Only hours before Donald Trump was set to sign a long-awaited executive order on Thursday that would have called for a government safety review of new artificial intelligence models before their release, the president abruptly backed out. Despite growing public backlash to the technology and experts warning new models will pose critical security risks, Trump vowed the US government would not slow down the AI race.
During a meeting with reporters on Thursday, Trump cited both American dominance and competition with China and as his reasoning behind the reversal.
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The Tilley Watch Online, May 18-22, 2026
An end of the week listing of New Yorker artists whose work has appeared on newyorker.com features
Daily Cartoon: (the duo of) Joe Dator and Kevin Maher, Sam Hurt, Adam Douglas Thompson, Matt Reuter, J.A.K.. See them here.
Barry Blitt’s Kvetchbook: “From Heel To Calf”
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Ellie Black Guests On The Latest Cartoon Caption Contest Podcast
Ellie Black, who began contributing to The New Yorker in Februar
Ellie Black Guests On The Latest Cartoon Caption Contest Podcast
Ellie Black, who began contributing to The New Yorker in February of 2019 (February 11th, to be exact), joins the CCCP crew this week (it’s episode #251, for those keeping track). Listen here.
Photo, top l-r: co-hosts Nicole Chrolavicius and Paul Nesja. Bottom row: Ellie Black.
Truus, Bob & Jan too! posted a photo:
French postcard by A.N., Paris, no. 1117. Photo: Raymond Voinquel.
French actor Pierre Richard-Willm (1895-1983) was a popular actor, often a jeune premier, in 40 films during the 1930s and the first half of the 1940s.
Pierre Richard-Willm was born Alexander Pierre Richard in Bayonne, South-West France, in 1895. His mother, Elisabeth-Fanny Willm, died at the age of thirty-one, and from 1905 on, he was raised by his maternal grandmother in Bordeaux
French postcard by A.N., Paris, no. 1117. Photo: Raymond Voinquel.
French actor Pierre Richard-Willm (1895-1983) was a popular actor, often a jeune premier, in 40 films during the 1930s and the first half of the 1940s.
Pierre Richard-Willm was born Alexander Pierre Richard in Bayonne, South-West France, in 1895. His mother, Elisabeth-Fanny Willm, died at the age of thirty-one, and from 1905 on, he was raised by his maternal grandmother in Bordeaux. He attended the école des Beaux-Arts in Nantes. Theatre was his passion, and in 1911, he started as an amateur at the Théâtre du Peuple de Bussang. In 1916, he joined the army and fought during World War I at Verdun. After the war, he became a sculptor, and in 1921, he started playing bit roles on the professional stage. From 1925 on, he worked at the Odeon in Paris in plays like 'La dame aux camélias' under the pseudonym Richard Willm, the combined name of his father and mother. His film debut as a jeune premier came in the Paramount production Toute sa vie / Sarah and Son (Alberto Cavalcanti, 1930), followed by another film by Alberto Cavalcanti for Paramount, Les Vacances du diable / The Devil's Holiday (1931). With his elegance and good looks, he charmed spectators of all ages. In the next years, he made dozens of films, including French versions of Ufa productions, including Autour d'une enquête / Preliminary Investigation (Pierre Chomette, Robert Siodmak, 1931) starring Annabella, and La fille du régiment / The Daughter of the Regiment (Pierre Billon, Carl Lamac, 1933) starring Anny Ondra.
Pierre Richard-Willm’s breakthrough was the foreign legion melodrama Le grand jeu / The Great Game (Jacques Feyder, 1934), in which he starred opposite Charles Vanel and Marie Bell. In the following years, he often played the partner of diva Edwige Feuillère in such films as Stradivarius (Albert Valentin, Géza von Bolváry, 1935), Barcarolle (Gerhard Lamprecht, Roger Le Bon, 1935), La Dame de Malacca / Woman of Malacca (Marc Allégret, 1937) and La Duchesse de Langeais / Wicked Dutchess (Jacques de Baroncelli, 1942). Famous director Max Ophüls directed him in Yoshiwara (1937) and Werther (1938). A big hit was Un Carnet de bal / Dance Program (Julien Duvivier, 193) in which Marie Bell stars as a woman who decides to find out about the men (including Pierre Richard-Willm) who once danced with her during a ball that was a turning point in her life. His most famous role was Edmond Dantès in two episodes of Le Comte de Monte-Cristo / The Count of Monte-Christo (Robert Vernay, 1943) based on the famous novel by Alexandre Dumas père. He starred as composer Franz Liszt in Rêves d'Amour / Dreams of Love (Christian Stengel, 1942-1947), for which film he also designed the sets. In 1946, he decided to retire from the cinema and to dedicate himself completely to his beloved Theatre Vosgien. In 1975, he wrote his memoirs, 'Loin des Étoiles' (Far from the stars), in which he wrote that the cinema had only been a nice intermission for him. Pierre Richard-Willm died in 1983 in Paris.
Truus, Bob & Jan too! posted a photo:
Poster freecard by Max Racks. Photo: 20th Century Fox. Ethan Hawke, Gwyneth Paltrow, Anne Bancroft and Robert De Niro in Great Expectations (Alfonso Cuarón, 1998). Caption: Let Desire Be Your Destiny.
American actress and businesswoman Gwyneth Paltrow (1972) is the daughter of filmmaker Bruce Paltrow and actress Blythe Danner. During the 1990s the 1990s and early 2000s, she was a leading lady in period films like Emma (1996) and Shakespeare in Love
Poster freecard by Max Racks. Photo: 20th Century Fox. Ethan Hawke, Gwyneth Paltrow, Anne Bancroft and Robert De Niro in Great Expectations (Alfonso Cuarón, 1998). Caption: Let Desire Be Your Destiny.
American actress and businesswoman Gwyneth Paltrow (1972) is the daughter of filmmaker Bruce Paltrow and actress Blythe Danner. During the 1990s the 1990s and early 2000s, she was a leading lady in period films like Emma (1996) and Shakespeare in Love (1998). Later, she acted in blockbusters and franchises in the Marvel Cinematic Universe, from Iron Man (2008) to Avengers: Endgame (2019). On television, she had a recurring guest role in Glee (2010–2011). Paltrow won an Academy Award, a Golden Globe Award, and a Primetime Emmy Award.
Gwyneth Katherine Paltrow was born in 1972 in Los Angeles, California. Her parents were director and television producer Bruce Paltrow and Tony Award-winning actress Blythe Danner. Her brother Jake Paltrow also works in the film industry. She is the niece of actress Katherine Moennig. Gwyneth grew up in Santa Monica, where she attended the Crossroads School. When she was eleven, the family moved to Massachusetts, where her father began working in summer stock productions in the Berkshires. At 15, she spent a year in Spain and speaks fairly good Spanish. She graduated from the all-girls Spence School in New York City and attended the University of California, Santa Barbara, where she studied art history. She dropped out of university to pursue acting. Earlier, she had demonstrated her talent by appearing in plays alongside her mother. She made her television debut in the drama High (1989), directed by her father. In 1990, Paltrow made her professional stage debut. She played her first film role in the musical Shout (Jeffrey Hornaday, 1991) alongside John Travolta. In the same year, she played the young Wendy in the fantasy film Hook (1991), directed by her godfather Steven Spielberg. She had minor roles in the thrillers Flesh and Bone (Sterve Kloves, 1993) and Malice (Harold Becker, 1993), alongside Nicole Kidman. Paltrow gained wider recognition with a supporting role in the thriller Se7en (David Fincher, 1995). She played a small but significant role as Brad Pitt’s wife. The two also began a relationship in real life, which received a great deal of media attention. The film was an international box-office hit. In the following year, she played Emma Woodhouse in Emma (Douglas McGrath, 1996), based on the novel by Jane Austen. For her role, she received positive reviews. Roger Ebert: "In its high spirits and wicked good humor, Emma is a delightful film–second only to Persuasion among the modern Austen movies, and funnier, if not so insightful. Gwyneth Paltrow sparkles in the title role as young Miss Woodhouse, who wants to play God in her own little patch of England. You can see her eyes working the room, speculating on whose lives she can improve." In 1998, she starred in five different films. Paltrow achieved her international breakthrough with the lead role of Viola De Lesseps in the romantic comedy Shakespeare in Love (John Madden, 1998). She played the fictional girlfriend of William Shakespeare (Joseph Fiennes). Shakespeare in Love won seven Oscars, including Best Actress for Paltrow. The film was a hit with both critics and cinema audiences, and she also received a Golden Globe for her performance. The British film Sliding Doors (Peter Howitt, 1998) was also successful, both with critics and the public. That year, she was the first woman to speak out about Harvey Weinstein’s sexual misconduct. In 1999, she starred alongside Jude Law, Matt Damon and Cate Blanchett in the psychological thriller The Talented Mr Ripley (Anthony Minghella, 1999), based on the novel by Patricia Highsmith
Gwyneth Paltrow co-starred with her then-boyfriend Ben Affleck in the romantic film Bounce (Don Roos, 2000), which disappointed because of its predictable, formulaic plot. That year, she also starred in Duets (2000), directed by her father, Bruce Paltrow. In this karaoke comedy-drama, she did her own singing. She played the tragic poet Sylvia Plath in Sylvia (Christine Jeffs, 2003), in which she starred alongside her mother, Blythe Danner, for the first time. Roger Ebert: "The film stars Gwyneth Paltrow as Sylvia and Daniel Craig as Ted. They are well cast, not merely because they look something like the originals but because they sound like workers who live with words and value them; there’s a scene where they hurl quotations at each other, and it sounds like they know what they’re doing. Paltrow’s great feat is to underplay her character’s death wish. There was madness in Sylvia Plath, but of a sad, interior sort, and one of the film’s accomplishments is to show subtly how it was so difficult for Hughes to live with her. The movie doesn’t pump up the volume." Paltrow opted for more comedic roles. She was Margot Tenenbaum in the ensemble film The Royal Tenenbaums (Wes Anderson, 2001) and starred in the comedy Shallow Hal (Peter Farrelly, Bobby Farrelly, 2001) alongside Jack Black. For her role, she had to wear a 200-pound latex 'fat' suit at times. Paltrow said that this experience made her saddened by the injustice faced by overweight people in society. She played the lead role in the unsuccessful comedy View from the Top (Bruno Barreto, 2003), for which she received a fee of US$10 million. Then she appeared alongside Jude Law in Sky Captain and the World of Tomorrow (Kerry Conran, 2004). In 2006, Paltrow received another Golden Globe nomination for her remarkable performance in the drama The Proof (John Madden, 2005) as the loyal daughter of a brilliant but mad mathematician (Anthony Hopkins). In 2007, she played the lead role in The Good Night, directed by her brother Jake. In 2008, US Forbes Magazine listed her among Hollywood’s highest-paid actresses. Between June 2007 and June 2008, she earned $25 million, placing her in fourth place alongside Reese Witherspoon, behind Cameron Diaz, Keira Knightley and Jennifer Aniston. In 2008, Paltrow launched the website Goop, based on a newsletter featuring her personal lifestyle tips and an associated online shop selling related products. The fact that Paltrow advised her followers not to rely on information from doctors and the pharmaceutical industry, but to ‘do their own research’, drew criticism. Paltrow appeared as Pepper Potts in the action film Iron Man (Jon Favreau, 2008) alongside Robert Downey Jr. The film grossed over $500 million worldwide, and she reprised her role in the sequel, Iron Man 2 (Jon Favreau, 2010). In 2010, she was honoured with a star (no. 2427) on the Hollywood Walk of Fame. By 2019, Paltrow had played the role of Pepper Potts in five further productions from the Marvel Cinematic Universe. In addition, she appeared in other feature films and played Holly Holliday in the television series Glee (2010, 2011 and 2014). In 2011, she won an Emmy for her appearance in Glee. In March 2011, Paltrow reached number 1 in the Australian charts with the song ‘Do You Wanna Touch Me? (Oh Yeah!)’ – a cover version of the song of the same name by Gary Glitter (1973). She scaled back her acting work in 2017 to focus on her lifestyle company, Goop, and other ventures. Following relationships with Brad Pitt (engaged from 1995 to 1997) and Ben Affleck (in a relationship from 1998 to 2000), Paltrow married Chris Martin, the lead singer of the British band Coldplay, in 2003. Their daughter, Apple Martin, was born in 2004, and their son, Moses Martin, was born in 2006. Paltrow and Martin divorced in 2016. In 2018, Gwyneth Paltrow married TV producer Brad Falchuk. They had met on the set of Glee. She is a board member of the Robin Hood Foundation, a charitable organisation dedicated to alleviating poverty in New York City. Recently, Paltrow appeared opposite Timothée Chalamet in Marty Supreme (Josh Safdie, 2025). She played Kay Stone, a wealthy, retired actress and socialite who has a sexual relationship with Marty. The film received critical acclaim and was a box-office success, grossing $192 million worldwide.
Sources: Roger Ebert, Wikipedia (German, Dutch and English) and IMDb.
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Kaïopai° posted a photo:
Eingang zur Sächsische Leistungsschau in Chemnitz auf der Planitzwiese, 27. Juli 1937
Auf dem Tor:
"Aufbau
Sächsische Leistungsschau"
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